CAN'T BE BLUE
Mon Nov 9, 8pm
Korean indie melancholy pop
République, Paris
Thirties jazz meets analog seventies synths as Flore Benguigui returns from L’Impératrice with The Sensible Notes for a live set at L’Alhambra, stripping away jazz elitism for a collective and playful stage laboratory.
Thursday, March 25, 8:00 PM
Paris jazz 1930s with 1970s analog synth
Headliner
Former singer of L’Impératrice, she returned to her first love, 1930s jazz blended with 1970s analogue synthesizers, performing at Paris venues such as Le Baiser Salé and now at Alhambra.
Paris jazz trio with analog synth
The band accompanying Flore Benguigui, consisting of Pierre‑François Maurin (bass), Charles Tois (piano) and Maxime Mary (drums), known for their collective improvisational style.
République, Paris
Thirties jazz meets analog seventies synths as Flore Benguigui returns from L’Impératrice with The Sensible Notes for a live set at L’Alhambra, stripping away jazz elitism for a collective and playful stage laboratory.
Paris jazz 1930s with 1970s analog synth
Headliner
Former singer of L’Impératrice, she returned to her first love, 1930s jazz blended with 1970s analogue synthesizers, performing at Paris venues such as Le Baiser Salé and now at Alhambra.
Paris jazz trio with analog synth
The band accompanying Flore Benguigui, consisting of Pierre‑François Maurin (bass), Charles Tois (piano) and Maxime Mary (drums), known for their collective improvisational style.
Paris jazz 1930s with 1970s analog synth
Headliner
Former singer of L’Impératrice, she returned to her first love, 1930s jazz blended with 1970s analogue synthesizers, performing at Paris venues such as Le Baiser Salé and now at Alhambra.
Paris jazz trio with analog synth
The band accompanying Flore Benguigui, consisting of Pierre‑François Maurin (bass), Charles Tois (piano) and Maxime Mary (drums), known for their collective improvisational style.
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