Doom Over Vienna XX - Festivalpass
Fri Nov 13, 7pm
Doom metal festival
Neubau, Wien
Heavy boatman melancholy meets rough electricity as German electropunk liedermacher Der Käpt'n Rummelsnuff and First Mate Asbach take to the stage at Escape Metalcorner for a night of derbe strommusik and schunkelpogo.
Saturday, December 5, 8:00 PM
German electropunk musician, Berlin electro‑punk scene
Headliner
Rummelsnuff is the stage name of Roger Baptist, a German electropunk singer‑songwriter active since the 1980s, known for his “derbe Strommusik” style and collaborations with his longtime partner Asbach.
German tenor‑baritone vocalist in electronic/industrial projects
Asbach, real name Christian Asbach, is a German tenor‑baritone singer and director who appears as “Maat Asbach” in the Rummelsnuff electropunk project.
Neubau, Wien
Heavy boatman melancholy meets rough electricity as German electropunk liedermacher Der Käpt'n Rummelsnuff and First Mate Asbach take to the stage at Escape Metalcorner for a night of derbe strommusik and schunkelpogo.
German electropunk musician, Berlin electro‑punk scene
Headliner
Rummelsnuff is the stage name of Roger Baptist, a German electropunk singer‑songwriter active since the 1980s, known for his “derbe Strommusik” style and collaborations with his longtime partner Asbach.
German tenor‑baritone vocalist in electronic/industrial projects
Asbach, real name Christian Asbach, is a German tenor‑baritone singer and director who appears as “Maat Asbach” in the Rummelsnuff electropunk project.
Saturday, December 5, 8:00 PM
German electropunk musician, Berlin electro‑punk scene
Headliner
Rummelsnuff is the stage name of Roger Baptist, a German electropunk singer‑songwriter active since the 1980s, known for his “derbe Strommusik” style and collaborations with his longtime partner Asbach.
German tenor‑baritone vocalist in electronic/industrial projects
Asbach, real name Christian Asbach, is a German tenor‑baritone singer and director who appears as “Maat Asbach” in the Rummelsnuff electropunk project.
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