Raphaël Pillosio's investigative essay resurrects Yann Le Masson's 1962 footage of Algerian female militants upon their prison release. Fifty years later, with the soundtrack lost, the director searches for these women, creating a haunting meditation on disappearance and memory. The screening is followed by a discussion with researchers Salima Tenfiche, Esther Demoulin, and Gabrielle Adjerad.