This event is in the past.It took place on March 8, 2026 at Le Louxor.
![Ciné-club Frederick Wiseman [8/8] 4](https://storage.googleapis.com/activity_photos/ChIJ5Qo8AWlu5kcRYNJF3JQR2vc/22ee53f2a58aa542e419b92093fe4866e05a1839f55656f9ef8a8a087b2ed096.jpg)
![Ciné-club Frederick Wiseman [8/8] 5](https://storage.googleapis.com/activity_photos/ChIJ5Qo8AWlu5kcRYNJF3JQR2vc/fefda1133812e5273990689b9d5122c158f1f7de4394a864837f15a3776b7d89.jpg)
![Ciné-club Frederick Wiseman [8/8] 4](https://storage.googleapis.com/activity_photos/ChIJ5Qo8AWlu5kcRYNJF3JQR2vc/22ee53f2a58aa542e419b92093fe4866e05a1839f55656f9ef8a8a087b2ed096.jpg)
![Ciné-club Frederick Wiseman [8/8] 5](https://storage.googleapis.com/activity_photos/ChIJ5Qo8AWlu5kcRYNJF3JQR2vc/fefda1133812e5273990689b9d5122c158f1f7de4394a864837f15a3776b7d89.jpg)
A nearly three-hour immersion into London's National Gallery without voice-over or explanation: just paintings, patrons, and the quiet drama of institutional life. Wiseman observes how masterpieces breathe in rooms full of strangers, and how museums become living things. Followed by a conference with film scholar Fabienne Duszynski.
Tips
Ciné-club Frederick Wiseman [8/8]
La Goutte d'Or
![Ciné-club Frederick Wiseman [8/8] 4](https://storage.googleapis.com/activity_photos/ChIJ5Qo8AWlu5kcRYNJF3JQR2vc/22ee53f2a58aa542e419b92093fe4866e05a1839f55656f9ef8a8a087b2ed096.jpg)
![Ciné-club Frederick Wiseman [8/8] 5](https://storage.googleapis.com/activity_photos/ChIJ5Qo8AWlu5kcRYNJF3JQR2vc/fefda1133812e5273990689b9d5122c158f1f7de4394a864837f15a3776b7d89.jpg)
![Ciné-club Frederick Wiseman [8/8] 4](https://storage.googleapis.com/activity_photos/ChIJ5Qo8AWlu5kcRYNJF3JQR2vc/22ee53f2a58aa542e419b92093fe4866e05a1839f55656f9ef8a8a087b2ed096.jpg)
![Ciné-club Frederick Wiseman [8/8] 5](https://storage.googleapis.com/activity_photos/ChIJ5Qo8AWlu5kcRYNJF3JQR2vc/fefda1133812e5273990689b9d5122c158f1f7de4394a864837f15a3776b7d89.jpg)
A nearly three-hour immersion into London's National Gallery without voice-over or explanation: just paintings, patrons, and the quiet drama of institutional life. Wiseman observes how masterpieces breathe in rooms full of strangers, and how museums become living things. Followed by a conference with film scholar Fabienne Duszynski.
Tips
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