Step inside a 17th-century Gothic church for one of classical music's most haunting funeral works. Heinrich Schütz's 1636 "Musikalische Exequien," three motets written for a nobleman's burial, unfolds in candlelit reverence: somber choral passages, intimate consorts of viols, and a transcendent final meditation on death and resurrection. The Chœur et ensemble Poséidon brings this rare Baroque masterpiece to Notre-Dame des Blancs-Manteaux, where carved wood and stone amplify every ethereal voice.