A century-spanning triptych by Ildikó Enyedi weaves three lives around an ancient ginkgo tree: a scientist forcing her way into the male establishment in 1908, lovers in the turbulent 1970s, and Tony Leung as a neuroscientist stranded in lockdown. Léa Seydoux guides him remotely as the film shifts between silvered monochrome, warm 16mm, and digital macro-photography to meditate on how consciousness rewires across time.