Quartier de l'Odéon
This pocket-sized Saint-Germain cinema is a cinephile's dream: tiny screens, informed staff, and a lineup of French and international films you won't find at the multiplex. The Découvertes lunchtime series unearths genuine gems.
Tips
June 11 at 6:20pm
Catch five Sidney Lumet classics and more on the big screen where they belong. This June revival series brings 12 Angry Men, Dog Day Afternoon, Fail Safe, and Network back to a cozy arthouse room with informed staff and zero distractions.
June 11 at 8pm
Cinéma Saint-André delivers exactly what arthouse cinemas should be: informed curation, intimate screens, and films you'd never catch elsewhere. Tonight they're showing Shinji Sômai's contemplative 1994 summer tale about three Kobe friends and a mysterious garden.
June 11 at 8:30pm
Sink into a velvet seat at this pocket-sized arthouse gem for a slate of indie classics: Gus Van Sant's Paranoid Park, My Own Private Idaho, and Gerry, plus Good Will Hunting and Milk. The screens are small, the prices are tiny, and the curation is impeccable.
Quartier de l'OdéonOpens Thursday at 1:00 PM
This pocket-sized Saint-Germain cinema is a cinephile's dream: tiny screens, informed staff, and a lineup of French and international films you won't find at the multiplex. The Découvertes lunchtime series unearths genuine gems.
Tips
June 11 at 6:20pm
Catch five Sidney Lumet classics and more on the big screen where they belong. This June revival series brings 12 Angry Men, Dog Day Afternoon, Fail Safe, and Network back to a cozy arthouse room with informed staff and zero distractions.
June 11 at 8pm
Cinéma Saint-André delivers exactly what arthouse cinemas should be: informed curation, intimate screens, and films you'd never catch elsewhere. Tonight they're showing Shinji Sômai's contemplative 1994 summer tale about three Kobe friends and a mysterious garden.
June 11 at 8:30pm
Sink into a velvet seat at this pocket-sized arthouse gem for a slate of indie classics: Gus Van Sant's Paranoid Park, My Own Private Idaho, and Gerry, plus Good Will Hunting and Milk. The screens are small, the prices are tiny, and the curation is impeccable.