Step into Laura Lamiel's luminous world where light becomes physical matter and shadows hold as much presence as objects. This poetic installation at the Bourse de Commerce transforms glass display cases into "cells" of suspended memory, using found objects, fluorescent tubes, and the artist's recurring motifs—children's shoes, gloves, enameled bricks—to make the invisible visible. The 83-year-old French artist invites you to lean in close and listen for what curator Alexandra Bordes calls "a sound of wings, of leaves, of sand," borrowed from Beckett's "Waiting for Godot."